当前位置:首页 > 歌词大全 > Act I: Let's Have Lunch歌词
  • JOE:
    Hi there, Myron
    MYRON:
    How's it hanging?
    JOE:
    I've got a date with Sheldrake
    MYRON:
    I'm shooting a Western down at Fox
    JOE:
    How can you work with Darryl?
    MYRON:
    We should talk
    JOE:
    Gotta run
    BOTH:
    Let's have lunch
    MARY:
    Hi, Mr. Gillis
    JOE:
    You look great!
    MARY:
    I'm up for an audition
    JOE:
    Sheldrake is driving me insane
    MARY:
    Don't forget me when you're casting
    JOE:
    We should talk
    MARY:
    Gotta run
    BOTH:
    Let's have lunch
    JOE:
    Morning, Joanna
    MARY:
    Hi, there Myron
    JOANNA:
    Who are you meeting?
    MYRON:
    You look great
    JOE:
    Sheldrake, but do I need it
    MARY:
    I've spent the last month fasting
    JOANNA:
    I'm handing in my second draft
    MYRON:
    I'm shooting a Western down at Fox
    JOE:
    I'd really love to read it
    MARY:
    Don't forget me when you're casting
    JOANNA:
    We should talk
    MYRON:
    We should talk
    JOE:
    Gotta run
    MARY:
    Gotta run
    ALL FOUR:
    Let's have lunch
    JOE (spoken):
    Yeah, I had an appointment with Mr. Sheldrake
    JONES (spoken):
    Name?
    JOE (spoken):
    Gillis. Joseph Gillis
    JONES (spoken):
    All right, sir, you know your way?
    JOE (spoken):
    Yeah
    FIRST FINANCEMAN:
    We want the keys to your car
    SECOND FINANCEMAN:
    You're way behind with the payments
    FIRST FINANCEMAN:
    Don't give us any fancy footwork
    SECOND FINANCEMAN:
    Give us the keys
    JOE:
    I only wish I could help
    I loaned it to my accountant
    He has an important client down in Palm Springs
    Felt like shooting the breeze
    FIRST FINANCEMAN:
    Are you telling us you walked here?
    JOE:
    I believe in self-denial
    I'm in training for the priesthood
    SECOND FINANCEMAN:
    OK, wise guy, three hundred bucks
    FIRST FINANCEMAN:
    Or we're taking the car
    SECOND FINANCEMAN:
    We have a court order
    JOE (spoken):
    I love it when you talk dirty
    SAMMY:
    Bless you, Joseph
    JOE:
    That you, Sammy?
    SAMMY:
    How do you like my harem?
    JOE:
    How come you get such lousy breaks?
    SAMMY:
    One learns to grin and bear 'em
    GIRLS:
    This is the biggest film ever made
    JOE:
    What're you playing?
    ANITA:
    Temple virgin
    DAWN:
    Handmaiden to Delilah
    JOE:
    Let's have lunch
    Gotta run
    You've got to find me a job
    I'm way behind with my payments
    I thought you were meant to be my agent
    I need some work
    MORINO:
    I only wish I could help
    This town is dead at the moment
    There's been this slowdown in production
    JOE (spoken):
    Who is this jerk?
    MORINO:
    He's my wunderkind from Broadway
    Every major studio wants him
    YOUNGER MAN:
    Playing one against the other
    JOE:
    What I need is three hundred bucks
    MORINO (spoken):
    Maybe what you need is a new agent
    JOE:
    Hello, Artie
    ARTIE:
    Joe, you bastard!
    JOE:
    You never call me any more
    ARTIE:
    Found a cuter dancing partner
    How are things?
    JOE:
    Not so great
    ARTIE:
    Will this help?
    Twenty bucks?
    JOE (spoken):
    Thanks, you're a pal
    ALL (spoken):
    Good morning, Mr. DeMille
    Hi Mr. DeMille
    SHELDRAKE:
    This is Sheldrake
    Bring some water
    Get me that ****head Nolan
    Nolan, sweetheart
    Great to talk
    This draft is so much brighter
    You're the best
    Even so
    I've hired another writer
    SECRETARY (spoken):
    Mr. Gillis
    SHELDRAKE:
    Joe! What the **** brings you here?
    JOE (spoken):
    You wanted to see me
    SHELDRAKE (spoken):
    I did? What about?
    JOE (spoken):
    "Bases Loaded." It's an outline for a baseball picture
    SHELDRAKE (spoken):
    So, pitch
    JOE (spoken):
    It's about a rookie shortstop. He's batting .347. The kid was once mixed up in a holdup. Now he's trying to go straight
    SHELDRAKE (spoken):
    Wait a minute. Wait a minute. I think I have read this. Somebody, bring in what we've got on...
    JOE (spoken):
    "Bases Loaded."
    SHELDRAKE (spoken):
    ..."Bases Loaded."
    JOE (spoken):
    They're pretty hot for it over at Twentieth
    SHELDRAKE (spoken):
    Good!
    JOE (spoken):
    But can you see Ty Power as a shortstop?
    ENSEMBLE:
    Let's have lunch
    BETTY (spoken)
    Here's that "Bases Loaded" material, Mr. Sheldrake
    I made a two-page synopsis for you,
    but I wouldn't bother to read it
    SHELDRAKE (spoken):
    Why not?
    BETTY (spoken):
    It's just a rehash of something
    that wasn't very good to begin with
    SHELDRAKE (spoken):
    Meet Mr. Gillis. He wrote it
    ENSEMBLE:
    We should talk
    SHELDRAKE
    (spoken)
    This is Miss Kramer
    BETTY (spoken)
    Schaefer. Betty Schaefer.
    And right now,
    I'd like to crawl into a hole and pull it in after me
    JOE (spoken)
    If I could be of any help...
    BETTY (spoken)
    I'm sorry, Mr. Gillis, I couldn't see the point of it
    JOE (spoken)
    What sort of material do you suggest?
    James Joyce? Dostoyevsky?
    BETTY (spoken)
    I think pictures should at least try to say a little something
    JOE (spoken)
    I see you're one of the message kids
    I expect you'd have turned down "Gone With the Wind"
    SHELDRAKE (spoken)
    No, that was me
    ENSEMBLE:
    Gotta run
    BETTY (spoken):
    And I guess I was disappointed
    I've read some of your other work
    and I thought you had some real talent
    JOE (spoken):
    Yeah, that was last year. This year I felt like eating
    BETTY (spoken):
    Well, I'm sorry, Mr. Gillis
    SHELDRAKE (spoken):
    Thank you, Miss Kramer
    Well, looks like Zanuck's got himself a baseball picture
    ENSEMBLE:
    We should talk
    Gotta run
    Let's have lunch
    JOE:
    You've got to give me some work
    I'll take whatever's on offer
    There must be some **** that needs a rewrite
    Throw it my way
    SHELDRAKE:
    I only wish I could help
    There's no spare shit at the moment
    Remember the greatest writers starved in garretts
    Didn't care about pay
    JOE:
    Are you trying to be funny?
    SHELDRAKE:
    I believe in self-denial
    Gives a man some moral backbone
    JOE:
    Can you loan me three hundred bucks?
    SHELDRAKE:
    I'm sorry, Gillis. Good-bye
    JOE:
    I just love Hollywood
    CROWD (MYRON, CLIFF, SAMMY, MORINO, KATHERINE, LIZ, MARY, JOANNA, DAWN, ARTIE, JOHN, ANITA, ADAM, LISA) :
    Morning, Joanna / Where've you been hiding? / Hi there, Lisa
    I hate this weather / You look great / What're you doing?
    This is the biggest film ever made / I'm trying to make my mind up
    Guess I was born to play her/ They're talking nominations
    What is my motivation? / You should go work for Warners / Is your new script with Sheldrake?
    We shoot next month / Let's drive to Vegas this weekend
    I'm handing in my second draft / It's between me and Dietrich
    I'd really love to read it / I'd know just how to light you
    It won't work / I've landed a big Broadway show/ I'd know just how to light you
    We should talk
    Gotta run
    Let's have lunch!
    Hi, good morning
    Aren't we lucky?
    Going to work with Cukor
    Paramount is paradise
    Movies from A to Zukor
    We should talk, gotta run
    Let's have lunch
    We should talk
    Gotta run
    Let's have lunch!
    JOE(spoken, to BETTY):
    Come to get your knife back?
    It's still right there,
    Right between my shoulder blades
  • [00:09.796] JOE:
    [00:10.747] Hi there, Myron
    [00:11.786] MYRON:
    [00:12.257] How's it hanging?
    [00:13.295] JOE:
    [00:13.628] I've got a date with Sheldrake
    [00:14.954] MYRON:
    [00:16.054] I'm shooting a Western down at Fox
    [00:18.067] JOE:
    [00:18.330] How can you work with Darryl?
    [00:20.087] MYRON:
    [00:20.791] We should talk
    [00:21.387] JOE:
    [00:21.696] Gotta run
    [00:22.733] BOTH:
    [00:22.909] Let's have lunch
    [00:23.889] MARY:
    [00:24.001] Hi, Mr. Gillis
    [00:25.165] JOE:
    [00:25.336] You look great!
    [00:26.304] MARY:
    [00:26.636] I'm up for an audition
    [00:28.289] JOE:
    [00:28.854] Sheldrake is driving me insane
    [00:31.226] MARY:
    [00:31.651] Don't forget me when you're casting
    [00:33.223] JOE:
    [00:33.659] We should talk
    [00:34.349] MARY:
    [00:34.635] Gotta run
    [00:35.464] BOTH:
    [00:35.854] Let's have lunch
    [00:36.670] JOE:
    [00:37.184] Morning, Joanna
    [00:37.935] MARY:
    [00:38.440] Hi, there Myron
    [00:39.328] JOANNA:
    [00:39.647] Who are you meeting?
    [00:40.489] MYRON:
    [00:40.762] You look great
    [00:41.569] JOE:
    [00:41.725] Sheldrake, but do I need it
    [00:43.332] MARY:
    [00:43.524] I've spent the last month fasting
    [00:44.309] JOANNA:
    [00:44.859] I'm handing in my second draft
    [00:45.550] MYRON:
    [00:46.520] I'm shooting a Western down at Fox
    [00:46.770] JOE:
    [00:48.783] I'd really love to read it
    [00:49.233] MARY:
    [00:50.246] Don't forget me when you're casting
    [00:51.996] JOANNA:
    [00:52.243] We should talk
    [00:52.843] MYRON:
    [00:52.939] We should talk
    [00:53.795] JOE:
    [00:53.880] Gotta run
    [00:54.621] MARY:
    [00:55.283] Gotta run
    [00:55.897] ALL FOUR:
    [00:56.118] Let's have lunch
    [00:56.505] JOE (spoken):
    [00:57.364] Yeah, I had an appointment with Mr. Sheldrake
    [00:58.491] JONES (spoken):
    [00:59.024] Name?
    [00:59.592] JOE (spoken):
    [00:59.988] Gillis. Joseph Gillis
    [01:01.032] JONES (spoken):
    [01:01.694] All right, sir, you know your way?
    [01:02.912] JOE (spoken):
    [01:03.714] Yeah
    [01:06.106] FIRST FINANCEMAN:
    [01:06.489] We want the keys to your car
    [01:07.732] SECOND FINANCEMAN:
    [01:08.684] You're way behind with the payments
    [01:10.204] FIRST FINANCEMAN:
    [01:10.646] Don't give us any fancy footwork
    [01:13.489] SECOND FINANCEMAN:
    [01:13.664] Give us the keys
    [01:15.671] JOE:
    [01:16.009] I only wish I could help
    [01:18.272] I loaned it to my accountant
    [01:21.023] He has an important client down in Palm Springs
    [01:25.784] Felt like shooting the breeze
    [01:28.385] FIRST FINANCEMAN:
    [01:28.605] Are you telling us you walked here?
    [01:31.263] JOE:
    [01:31.426] I believe in self-denial
    [01:33.806] I'm in training for the priesthood
    [01:36.326] SECOND FINANCEMAN:
    [01:37.127] OK, wise guy, three hundred bucks
    [01:38.972] FIRST FINANCEMAN:
    [01:39.192] Or we're taking the car
    [01:40.412] SECOND FINANCEMAN:
    [01:40.795] We have a court order
    [01:42.118] JOE (spoken):
    [01:42.317] I love it when you talk dirty
    [02:28.069] SAMMY:
    [02:28.231] Bless you, Joseph
    [02:29.172] JOE:
    [02:29.357] That you, Sammy?
    [02:30.749] SAMMY:
    [02:30.913] How do you like my harem?
    [02:32.829] JOE:
    [02:32.968] How come you get such lousy breaks?
    [02:35.475] SAMMY:
    [02:35.614] One learns to grin and bear 'em
    [02:37.507] GIRLS:
    [02:37.670] This is the biggest film ever made
    [02:41.071] JOE:
    [02:41.187] What're you playing?
    [02:42.114] ANITA:
    [02:42.336] Temple virgin
    [02:43.671] DAWN:
    [02:43.810] Handmaiden to Delilah
    [02:44.995] JOE:
    [02:45.215] Let's have lunch
    [02:47.073] Gotta run
    [02:49.453] You've got to find me a job
    [02:51.856] I'm way behind with my payments
    [02:54.352] I thought you were meant to be my agent
    [02:57.092] I need some work
    [02:58.914] MORINO:
    [02:59.216] I only wish I could help
    [03:01.666] This town is dead at the moment
    [03:04.232] There's been this slowdown in production
    [03:08.330] JOE (spoken):
    [03:08.528] Who is this jerk?
    [03:09.931] MORINO:
    [03:10.152] He's my wunderkind from Broadway
    [03:13.253] Every major studio wants him
    [03:15.946] YOUNGER MAN:
    [03:16.132] Playing one against the other
    [03:18.047] JOE:
    [03:18.349] What I need is three hundred bucks
    [03:21.530] MORINO (spoken):
    [03:21.832] Maybe what you need is a new agent
    [03:26.974] JOE:
    [03:27.405] Hello, Artie
    [03:28.229] ARTIE:
    [03:28.472] Joe, you bastard!
    [03:29.528] JOE:
    [03:29.750] You never call me any more
    [03:31.874] ARTIE:
    [03:32.093] Found a cuter dancing partner
    [03:35.427] How are things?
    [03:36.251] JOE:
    [03:37.029] Not so great
    [03:37.887] ARTIE:
    [03:38.583] Will this help?
    [03:39.373] Twenty bucks?
    [03:40.174] JOE (spoken):
    [03:40.384] Thanks, you're a pal
    [03:41.893] ALL (spoken):
    [03:42.508] Good morning, Mr. DeMille
    [03:45.217] Hi Mr. DeMille
    [03:46.908] SHELDRAKE:
    [03:47.245] This is Sheldrake
    [03:48.325] Bring some water
    [03:49.683] Get me that ****head Nolan
    [03:52.365] Nolan, sweetheart
    [03:53.788] Great to talk
    [03:54.786] This draft is so much brighter
    [03:57.120] You're the best
    [03:58.003] Even so
    [03:58.885] I've hired another writer
    [04:01.292] SECRETARY (spoken):
    [04:01.884] Mr. Gillis
    [04:03.068] SHELDRAKE:
    [04:03.289] Joe! What the **** brings you here?
    [04:04.787] JOE (spoken):
    [04:05.170] You wanted to see me
    [04:06.006] SHELDRAKE (spoken):
    [04:06.203] I did? What about?
    [04:06.748] JOE (spoken):
    [04:06.945] "Bases Loaded." It's an outline for a baseball picture
    [04:07.747] SHELDRAKE (spoken):
    [04:08.637] So, pitch
    [04:08.930] JOE (spoken):
    [04:09.929] It's about a rookie shortstop. He's batting .347. The kid was once mixed up in a holdup. Now he's trying to go straight
    [04:13.807] SHELDRAKE (spoken):
    [04:14.404] Wait a minute. Wait a minute. I think I have read this. Somebody, bring in what we've got on...
    [04:17.522] JOE (spoken):
    [04:18.502] "Bases Loaded."
    [04:19.008] SHELDRAKE (spoken):
    [04:19.442] ..."Bases Loaded."
    [04:19.953] JOE (spoken):
    [04:20.208] They're pretty hot for it over at Twentieth
    [04:21.086] SHELDRAKE (spoken):
    [04:22.282] Good!
    [04:22.989] JOE (spoken):
    [04:23.292] But can you see Ty Power as a shortstop?
    [04:25.161] ENSEMBLE:
    [04:25.405] Let's have lunch
    [04:26.902] BETTY (spoken)
    [04:27.169] Here's that "Bases Loaded" material, Mr. Sheldrake
    [04:28.911] I made a two-page synopsis for you,
    [04:30.606] but I wouldn't bother to read it
    [04:32.265] SHELDRAKE (spoken):
    [04:32.405] Why not?
    [04:33.589] BETTY (spoken):
    [04:33.763] It's just a rehash of something
    [04:34.623] that wasn't very good to begin with
    [04:36.283] SHELDRAKE (spoken):
    [04:36.549] Meet Mr. Gillis. He wrote it
    [04:37.967] ENSEMBLE:
    [04:38.547] We should talk
    [04:40.683] SHELDRAKE
    [04:40.904] (spoken)
    [04:41.101] This is Miss Kramer
    [04:42.088] BETTY (spoken)
    [04:42.587] Schaefer. Betty Schaefer.
    [04:43.585] And right now,
    [04:44.085] I'd like to crawl into a hole and pull it in after me
    [04:46.301] JOE (spoken)
    [04:46.465] If I could be of any help...
    [04:47.730] BETTY (spoken)
    [04:47.882] I'm sorry, Mr. Gillis, I couldn't see the point of it
    [04:50.504] JOE (spoken)
    [04:50.667] What sort of material do you suggest?
    [04:52.502] James Joyce? Dostoyevsky?
    [04:52.710] BETTY (spoken)
    [04:54.626] I think pictures should at least try to say a little something
    [04:57.006] JOE (spoken)
    [04:57.168] I see you're one of the message kids
    [04:58.945] I expect you'd have turned down "Gone With the Wind"
    [05:00.385] SHELDRAKE (spoken)
    [05:00.605] No, that was me
    [05:01.743] ENSEMBLE:
    [05:02.045] Gotta run
    [05:03.588] BETTY (spoken):
    [05:03.925] And I guess I was disappointed
    [05:05.620] I've read some of your other work
    [05:07.048] and I thought you had some real talent
    [05:09.219] JOE (spoken):
    [05:09.347] Yeah, that was last year. This year I felt like eating
    [05:11.180] BETTY (spoken):
    [05:11.343] Well, I'm sorry, Mr. Gillis
    [05:12.064] SHELDRAKE (spoken):
    [05:12.261] Thank you, Miss Kramer
    [05:14.907] Well, looks like Zanuck's got himself a baseball picture
    [05:18.565] ENSEMBLE:
    [05:19.540] We should talk
    [05:20.329] Gotta run
    [05:21.269] Let's have lunch
    [05:22.582] JOE:
    [05:22.779] You've got to give me some work
    [05:25.089] I'll take whatever's on offer
    [05:27.388] There must be some **** that needs a rewrite
    [05:29.884] Throw it my way
    [05:31.521] SHELDRAKE:
    [05:31.718] I only wish I could help
    [05:34.388] There's no spare shit at the moment
    [05:36.885] Remember the greatest writers starved in garretts
    [05:40.843] Didn't care about pay
    [05:42.945] JOE:
    [05:43.258] Are you trying to be funny?
    [05:45.487] SHELDRAKE:
    [05:45.719] I believe in self-denial
    [05:48.506] Gives a man some moral backbone
    [05:50.688] JOE:
    [05:51.105] Can you loan me three hundred bucks?
    [05:53.602] SHELDRAKE:
    [05:53.800] I'm sorry, Gillis. Good-bye
    [05:55.378] JOE:
    [05:56.672] I just love Hollywood
    [06:00.209] CROWD (MYRON, CLIFF, SAMMY, MORINO, KATHERINE, LIZ, MARY, JOANNA, DAWN, ARTIE, JOHN, ANITA, ADAM, LISA) :
    [06:01.301] Morning, Joanna / Where've you been hiding? / Hi there, Lisa
    [06:04.087] I hate this weather / You look great / What're you doing?
    [06:06.989] This is the biggest film ever made / I'm trying to make my mind up
    [06:09.543] Guess I was born to play her/ They're talking nominations
    [06:12.563] What is my motivation? / You should go work for Warners / Is your new script with Sheldrake?
    [06:15.603] We shoot next month / Let's drive to Vegas this weekend
    [06:18.447] I'm handing in my second draft / It's between me and Dietrich
    [06:21.199] I'd really love to read it / I'd know just how to light you
    [06:23.521] It won't work / I've landed a big Broadway show/ I'd know just how to light you
    [06:24.573] We should talk
    [06:26.093] Gotta run
    [06:27.312] Let's have lunch!
    [06:28.554] Hi, good morning
    [06:29.820] Aren't we lucky?
    [06:31.074] Going to work with Cukor
    [06:34.533] Paramount is paradise
    [06:39.936] Movies from A to Zukor
    [06:42.617] We should talk, gotta run
    [06:44.603] Let's have lunch
    [06:45.775] We should talk
    [06:46.843] Gotta run
    [06:47.841] Let's have lunch!
    [06:49.803] JOE(spoken, to BETTY):
    [06:51.045] Come to get your knife back?
    [06:52.857] It's still right there,
    [06:53.937] Right between my shoulder blades