An Interview with Vladimir Ashkenazy:The Applause the Discipline and the Work

1Concerto No.1 in D Minor for Harpsichord Strings and Continuo BWV 1052:1. Allegro (piano performance

2Concerto No.1 in D Minor for Harpsichord Strings and Continuo BWV 1052:2. Adagio (piano performance)

3Concerto No.1 in D Minor for Harpsichord Strings and Continuo BWV 1052:3. Allegro (piano performance

4Das Wohltemperierte Klavier: Book 1 BWV 846-869:Prelude in B minor BWV 869

5Das Wohltemperierte Klavier: Book 1 BWV 846-869:Fugue in B minor BWV 869

6Piano Sonata No.24 in F sharp Op.78 "For Therese":1. Adagio cantabile - Allegro ma non troppo

7Piano Sonata No.24 in F sharp Op.78 "For Therese":2. Allegro vivace

8Piano Sonata No.23 in F minor Op.57 -Appassionata:1. Allegro assai

9Piano Sonata No.23 in F minor Op.57 -Appassionata:2. Andante con moto

10Piano Sonata No.23 in F minor Op.57 -Appassionata:3. Allegro ma non troppo

116 Bagatelles Op.126:4. Presto

12Piano Concerto No.9 in E flat K.271 - "Jeunehomme":1. Allegro

13Piano Concerto No.9 in E flat K.271 - "Jeunehomme":2. Andantino

14Piano Concerto No.9 in E flat K.271 - "Jeunehomme":3. Rondeau (Presto)

15Piano Concerto No.1 in D Minor Op. 15:1. Maestoso - Poco più moderato

16Piano Concerto No.1 in D Minor Op.15:2. Adagio

17Piano Concerto No.1 in D Minor Op.15:3. Rondo (Allegro non troppo)

18Piano Sonata No.17 in D D.850:1. Allegro vivace

19Piano Sonata No.17 in D D.850:2. Con moto

20Piano Sonata No.17 in D D.850:3. Scherzo (Allegro vivace)

21Piano Sonata No.17 in D D.850:4. Rondo (Allegro moderato)

22Barcarolle in F sharp Op.60

23Ballade No.4 in F minor Op.52

24Scherzo No.4 in E Op.54

25Nocturne No.5 In F Sharp Op.15 No.2

26Nocturne No.16 in E flat Op.55 No.2

27Kreisleriana Op.16:1. ?usserst bewegt

28Kreisleriana Op.16:2. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Interm

29Kreisleriana Op.16:3. Sehr aufgeregt

30Kreisleriana Op.16:4. Sehr langsam

31Kreisleriana Op.16:5. Sehr lebhaft

32Kreisleriana Op.16:6. Sehr langsam

33Kreisleriana Op.16:7. Sehr rasch

34Kreisleriana Op.16:8. Schnell und spielend

35Don Juan Op. 20 TrV 156

36Romeo and Juliet Fantasy Overture

3718 Morceaux Op.72 TH.151:5. Méditation

38Melody (Melodiya) Op.21 No.9

39Mephisto Waltz No.1 S.514

4012 Etudes d'exécution transcendante S.139:No.5 Feux follets (Allegretto)

41Gaspard de la nuit M.55:Ondine

42Gaspard de la nuit M.55:Le gibet

43Gaspard de la nuit M.55:Scarbo

44Piano Concerto No.3 In D Minor Op.30:1. Allegro ma non tanto

45Piano Concerto No.3 In D Minor Op.30:2. Intermezzo (Adagio)

46Piano Concerto No.3 In D Minor Op.30:3. Finale (Alla breve)

47Piano Concerto No.2 in G Minor Op.16:1. Andantino

48Piano Concerto No.2 in G Minor Op.16:2. Scherzo (Vivace)

49Piano Concerto No.2 in G Minor Op.16:3. Intermezzo (Allegro moderato)

50Piano Concerto No.2 in G Minor Op.16:4. Finale (Allegro tempestoso)

51Symphony No.5 In D Minor Op.47:1. Moderato

52Symphony No.5 In D Minor Op.47:2. Allegretto

53Symphony No.5 In D Minor Op.47:3. Largo

54Symphony No.5 In D Minor Op.47:4. Allegro non troppo

55Symphony No.2 in D Op.43:1. Allegretto - Poco allegro - Tranquillo ma poco a poco ravvivando il temp

56Symphony No.2 in D Op.43:2. Tempo andante ma rubato - Andante sostenuto

57Symphony No.2 in D Op.43:3. Vivacissimo - Lento e suave - Largamente

58Symphony No.2 in D Op.43:4. Finale (Allegro moderato)

59Piano Concerto in F sharp minor Op.20:1. Allegro

60Piano Concerto in F sharp minor Op.20:2. Andante

61Piano Concerto in F sharp minor Op.20:3. Allegro

62Piano Sonata No.4 in F sharp major Op.30:1. Andante

63Piano Sonata No.4 in F sharp major Op.30:2. Prestissimo volando

64An Interview with Vladimir Ashkenazy:Introduction and background

65An Interview with Vladimir Ashkenazy:Richard Strauss: Don Juan

66An Interview with Vladimir Ashkenazy:Pyotr Ilyich Tchaikovsky: Romeo and Juliet

67An Interview with Vladimir Ashkenazy:Jean Sibelius: The Second Symphony

68An Interview with Vladimir Ashkenazy:An Object of Envy

69An Interview with Vladimir Ashkenazy:Dmitri Shostakovich: The Fifth Symphony

70An Interview with Vladimir Ashkenazy:A telephone call from Stalin

71An Interview with Vladimir Ashkenazy:Chopin and Competitions

72An Interview with Vladimir Ashkenazy:Bach and Sviatoslav Richter

73An Interview with Vladimir Ashkenazy:Music as an Island

74An Interview with Vladimir Ashkenazy:Student Days Happy Days

75An Interview with Vladimir Ashkenazy:The Discography and its Background

76An Interview with Vladimir Ashkenazy:Fascination with the Symphony Orchestra

77An Interview with Vladimir Ashkenazy:The Record Collector and Maker

78An Interview with Vladimir Ashkenazy:The Medium

79An Interview with Vladimir Ashkenazy:Childhood and First Piano Lessons

80An Interview with Vladimir Ashkenazy:The Symphony Orchestra

81An Interview with Vladimir Ashkenazy:Competitions

82An Interview with Vladimir Ashkenazy:The unpredictability of Success

83An Interview with Vladimir Ashkenazy:The Gift and the Work

84An Interview with Vladimir Ashkenazy:Comparing Composers

85An Interview with Vladimir Ashkenazy:The Emigré

86An Interview with Vladimir Ashkenazy:A large Family

87An Interview with Vladimir Ashkenazy:The Applause the Discipline and the Work

88An Interview with Vladimir Ashkenazy:Johann Sebastian Bach

89An Interview with Vladimir Ashkenazy:Glenn Gould

90An Interview with Vladimir Ashkenazy:Recording and Studios

91An Interview with Vladimir Ashkenazy:A Dual Career and the Question of Power

92An Interview with Vladimir Ashkenazy:Conducting the Philharmonia Orchestra

93An Interview with Vladimir Ashkenazy:Opera

94An Interview with Vladimir Ashkenazy:Working with Singers

95An Interview with Vladimir Ashkenazy:Jacqueline du Pré

96An Interview with Vladimir Ashkenazy:Looking back and doing better

97An Interview with Vladimir Ashkenazy:Future Plans

98An Interview with Vladimir Ashkenazy:Structure Improvisation and Genius

99An Interview with Vladimir Ashkenazy:New Perspectives and Sviatoslav Richter

100An Interview with Vladimir Ashkenazy:The Interpreter and the Medium

101An Interview with Vladimir Ashkenazy:Entering the eighth Decade

102An Interview with Vladimir Ashkenazy:J.W.Sullivan

103An Interview with Vladimir Ashkenazy:Thanks and goodnight

124 Préludes, Op.28; 15. in D Flat Major ("Raindrop")

2Piano Sonata No.8 in C minor, Op.13 -"Pathétique"; 2. Adagio cantabile

3Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight"; 1. Adagio sostenuto

4Romeo and Juliet Fantasy Overture

5The Voyevode Op.78

6Serenade For String Orchestra In C Major Op.48 TH.48:4. Finale (Tema russo): Andante - Allegro con s

7Serenade For String Orchestra In C Major Op.48 TH.48:3. Elégie: Larghetto elegiaco

8Serenade For String Orchestra In C Major Op.48 TH.48:2. Walzer: Moderato (Tempo di valse)

9Serenade For String Orchestra In C Major Op.48 TH.48: Andante non troppo - Allegro moderato

10Overture 1812 Op.49 - Choral version edited by Andrew Cornall:Ouverture solennelle "1812" Op. 49 - C