The Martini In movie terms, directors use this phrase To describe the last shot of the day while on set The stories you are about to hear are true Names have been kept the same to reflect the Strange This is the Martini.. This is Sam He was so in love with her But she was young and so that put her off in a jam Though she was sweet as a yam She wanted to explore other options with her man Straight sending Sam into a rampage And no matter what his fam says He's lost without this woman and don't wanna live any damn ways Now he's thinkin', if he ain't gon' live, she ain't gon' live And the other man's mercy, he ain't gon' give This what love do, it cops a .38 snub to Knock on your door, and take somebody that used to love you Rub you, the wrong way, then it's blood true Love through, she's slug one and he's slug two Then on a rainy evening, with a panicked feelin' Went to her home and looked in the window and Sammy sees them The door's between her and the Necromancer And what you think is gon' happen if she answers? Take a drink, it's more than what you think I gotta let you know, don't plan on letting you go But if you have to leave, that's where we'll end the scene This is the Martini, last shot's for you or me Yo, this is Isaiah I guess he was, I'd say a Ladies man, everyone used to call him the KCI Playa Flying multiple chicks in, give the stick then dismiss them But somethin's gonna happen that'll twist him He fell in love with a beautiful black woman But he ended up having a couple problems with that woman Talkin' to other men, did it behind his back on 'em Facebook, computer love, crept on the Mac on 'em Now he's salty, 'cause he found the woman he loves is faulty He told her at the very beginning, "Don't you ever cross me" Now that she did it, he plans to do something unlawfully Get a gun off the street, because he was treated so awfully One bullet for her, one bullet for him Crimes of passion, ain't no more pullin' for them And the worst way, we broke apart, it really hurts lady I've gotta go, but yo, you gotta go first baby Take a drink, it's more than what you think I gotta let you know, don't plan on letting you go But if you have to leave, that's where we'll end the scene This is the Martini, last shot's for you or me This is Brian He was a rebel and stayed on another level And had no intentions of dying He loved Kim a lot, above them was not But a jealous ex-husband would love them to rot I guess he loved Kim still His only thoughts him, them, kill 'Cause he a coward mother****er On Christmas Eve he broke in and waited in they house for hours Crazy mother****er! Brian pulled up with Kim and little Alissa in the car Saw a shadow in the house from afar and said, "Wait" Got out the car, opened the gate Walked in the house and her ****ing ex sealed my nigga's fate That was my best friend, bitch-ass nigga Walked out the house and shot Kim right in front of Alissa Then he saved the last shot for him, blast! Now you better hope I don't go to hell, because I'ma be on your ass! Take a drink, it's more than what you think I gotta let you know, don't plan on letting you go But if you have to leave, that's where we'll end the scene This is the Martini, last shot's for you or me Executive producer: Travis O'Guin Associate producer: Dave Weiner and Ron Spaulding Project consultant, general management: Bob Grossi, Brian Shafton and Ben Grossi Production assistant: Cory Lloyd, Glenda Cowan, Don O'Guin, Cory Nielsen and Brian Fraser Project management and publicity coordinator: Korey Lloyd And publicity by: Richie Abbot and Megan McLean A&R: Travis O'Guin and Aaron D. Yates, Tech N9ne Legal: Bob Liberman, photography: RW2 Art direction and design: Liquid 9 Marketing and promotion: Britton Kimler and Chris Rooney Street marketing: Aaron Bean and Josh Rickards Internet marketing: Brad Morrow-ow-ow Creative consultant for Strange Music: My main man David Temple Album score by: Michael "Seven" Summers Recorded and mixed by: Robert Rebeck Mastered by: Tom Baker and additional vocals by me (Kali Baby) This is the end of K.O.D
[00:01.04]The Martini [00:03.23]In movie terms, directors use this phrase [00:06.97]To describe the last shot of the day while on set [00:11.41]The stories you are about to hear are true [00:14.56]Names have been kept the same to reflect the Strange [00:18.61]This is the Martini.. [00:21.46]This is Sam [00:23.16]He was so in love with her [00:24.06]But she was young and so that put her off in a jam [00:26.41]Though she was sweet as a yam [00:28.19]She wanted to explore other options with her man [00:30.06]Straight sending Sam into a rampage [00:32.52]And no matter what his fam says [00:34.16]He's lost without this woman and don't wanna live any damn ways [00:37.50]Now he's thinkin', if he ain't gon' live, she ain't gon' live [00:40.24]And the other man's mercy, he ain't gon' give [00:42.37]This what love do, it cops a .38 snub to [00:45.14]Knock on your door, and take somebody that used to love you [00:48.10]Rub you, the wrong way, then it's blood true [00:50.71]Love through, she's slug one and he's slug two [00:53.40]Then on a rainy evening, with a panicked feelin' [00:56.08]Went to her home and looked in the window and Sammy sees them [00:58.86]The door's between her and the Necromancer [01:01.02]And what you think is gon' happen if she answers? [01:03.24]Take a drink, it's more than what you think [01:07.45]I gotta let you know, don't plan on letting you go [01:12.96]But if you have to leave, that's where we'll end the scene [01:18.24]This is the Martini, last shot's for you or me [01:24.97]Yo, this is Isaiah [01:26.74]I guess he was, I'd say a [01:27.99]Ladies man, everyone used to call him the KCI Playa [01:30.76]Flying multiple chicks in, give the stick then dismiss them [01:34.16]But somethin's gonna happen that'll twist him [01:36.21]He fell in love with a beautiful black woman [01:38.52]But he ended up having a couple problems with that woman [01:41.29]Talkin' to other men, did it behind his back on 'em [01:43.72]Facebook, computer love, crept on the Mac on 'em [01:46.42]Now he's salty, 'cause he found the woman he loves is faulty [01:49.13]He told her at the very beginning, "Don't you ever cross me" [01:51.90]Now that she did it, he plans to do something unlawfully [01:54.36]Get a gun off the street, because he was treated so awfully [01:57.11]One bullet for her, one bullet for him [01:59.79]Crimes of passion, ain't no more pullin' for them [02:02.32]And the worst way, we broke apart, it really hurts lady [02:04.95]I've gotta go, but yo, you gotta go first baby [02:07.47]Take a drink, it's more than what you think [02:11.58]I gotta let you know, don't plan on letting you go [02:16.93]But if you have to leave, that's where we'll end the scene [02:22.32]This is the Martini, last shot's for you or me [02:29.57]This is Brian [02:30.86]He was a rebel and stayed on another level [02:32.97]And had no intentions of dying [02:34.82]He loved Kim a lot, above them was not [02:37.42]But a jealous ex-husband would love them to rot [02:40.15]I guess he loved Kim still [02:42.21]His only thoughts him, them, kill [02:44.66]'Cause he a coward mother****er [02:46.89]On Christmas Eve he broke in and waited in they house for hours [02:49.82]Crazy mother****er! [02:51.01]Brian pulled up with Kim and little Alissa in the car [02:53.41]Saw a shadow in the house from afar and said, "Wait" [02:56.58]Got out the car, opened the gate [02:58.16]Walked in the house and her ****ing ex sealed my nigga's fate [03:01.54]That was my best friend, bitch-ass nigga [03:03.34]Walked out the house and shot Kim right in front of Alissa [03:06.08]Then he saved the last shot for him, blast! [03:08.93]Now you better hope I don't go to hell, because I'ma be on your ass! [03:11.41]Take a drink, it's more than what you think [03:15.59]I gotta let you know, don't plan on letting you go [03:20.92]But if you have to leave, that's where we'll end the scene [03:26.30]This is the Martini, last shot's for you or me [03:33.31]Executive producer: Travis O'Guin [03:38.34]Associate producer: Dave Weiner and Ron Spaulding [03:43.80]Project consultant, general management: Bob Grossi, Brian Shafton and Ben Grossi [03:54.64]Production assistant: Cory Lloyd, Glenda Cowan, Don O'Guin, Cory Nielsen and Brian Fraser [04:05.20]Project management and publicity coordinator: Korey Lloyd [04:12.08]And publicity by: Richie Abbot and Megan McLean [04:16.23]A&R: Travis O'Guin and Aaron D. Yates, Tech N9ne [04:21.21]Legal: Bob Liberman, photography: RW2 [04:26.69]Art direction and design: Liquid 9 [04:32.12]Marketing and promotion: Britton Kimler and Chris Rooney [04:37.34]Street marketing: Aaron Bean and Josh Rickards [04:42.80]Internet marketing: Brad Morrow-ow-ow [04:47.95]Creative consultant for Strange Music: My main man David Temple [04:59.05]Album score by: Michael "Seven" Summers [05:04.02]Recorded and mixed by: Robert Rebeck [05:09.56]Mastered by: Tom Baker and additional vocals by me (Kali Baby) [05:15.91]This is the end of K.O.D [05:20.96]
