[00:01.98]When I first discovered this music
[00:04.30]I was immediately struck by the fact that it had two of the key symptoms of deeply important music
[00:12.20]Number one: it didn't really sound like anyone else's music
[00:19.32]And number two and even more importantly:
[00:21.87]Although it was immediately appealing
[00:25.29]The more you got to know this music
[00:27.15]The richer and more interesting and more important the music seemed to get
[00:32.54]
[00:48.66]Hey, Julie, we want to say thank you
[00:52.29]For putting us on the
[00:54.18]radio~~
[00:56.44]And tell JJ that we send our regards
[01:00.17]He was such a nice dude
[01:02.18]Made us feel at home
[01:04.18]You're the gatekeeper, Julie,
[01:06.18]the gatekeeper
[01:08.62]And one day, regular rotation
[01:12.12]Gatekeeper Julie,
[01:14.18]the gatekeeper
[01:16.67]And one day, regular rotation
[01:20.69]
[01:21.35]You're going to hear a piece that might sound a little familiar
[01:26.28](Radio)
[01:29.00]It's also a brilliantly-made piece and a wonderfully funny one
[01:34.22](Radio)
[01:36.71]And by the way it's supposed to be funny
[01:40.16]It's something that lasts that has all but vanished from serious music these days
[01:44.17]You're the gatekeeper, Julie,
[01:46.17]the gatekeeper
[01:48.64]And one day, regular rotation
[01:52.12]Gatekeeper Julie,
[01:54.20]the gatekeeper
[01:56.65]And one day, regular rotation
[02:00.14]Gatekeeper Julie,
[02:02.16]the gatekeeper
[02:04.60]And one day, regular rotation
[02:08.21]Gatekeeper Julie,
[02:10.14]the gatekeeper
[02:12.65]And one day, regular rotation
[02:15.59]
[02:16.29]Radio
[02:19.62]
[02:32.62]Radio
[02:35.99]